High (David Hallyday song)

"High" is a 1988 song recorded by French artist David Hallyday. It was the second of the four singles from his debut studio album True Cool. Released in November 1988, the song was a hit in France, becoming David Hallyday's first number-one single.

Song information

The song was composed by Lisa Catherine Cohen and the music composed by the singer himself. As for the rest of the album, lyrics are in English-language. The music video was shot in a church, Hallyday playing the organ, while a chorus composed of women chanted 'high' during the refrains. With this vigorous song, Hallyday presents "a musical style at the joint of Californian rock and pop".

In France, the single debuted on the singles chart at #45 on November 19, 1988, climbed quickly and entered the top ten in its fourth week. It topped the chart for five consecutive weeks, then almost didn't stop to drop on the chart and totaled 15 weeks in the top ten and 23 weeks in the top 50. Although it was not certified by the SNEP, the French certifier, its sales made the song the 440th best-selling single of all time in France. The song was the most successful from the album True Cool and the second one in Hallyday's career, behind "Tu ne m'as pas laissé le temps".

High (The Blue Nile album)

High is the fourth studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.

"Soul Boy" had already been recorded by former Spice Girl Melanie C for her album Reason the previous year.

Critical reception

The album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon."The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace."

High (Knut Anders Sørum song)

"High" was the Norwegian entry in the Eurovision Song Contest 2004, performed in English by Knut Anders Sørum.

The song is a dramatic ballad, with Sørum expressing his desire to bring an unnamed person "high". The lyrics suggest that this person has been beset by problems, and that Sørum believes he can go some way to curing them.

As Norway had finished the Eurovision Song Contest 2003 in the top 10, the song was pre-qualified for the final. Here, it was performed third, following Austria's Tie Break with "Du bist" and preceding France's Jonatan Cerrada with "À chaque pas". At the close of voting, it had received 3 points, placing 24th (last) in a field of 24, thus requiring Norway to qualify through the semi-final at the next Contest.

The low score, and long wait before Norway scored any points at all, led Australian commentator Des Mangan to jokingly offer money for anyone prepared to vote for the country. Initially, this was "a thousand bucks", later climbing to "ten thousand bucks and my house". Mangan explained during this commentary that he did not want Norway to further extend its unwanted record of failing to record a point on the most occasions.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.